Sunday 20 March 2011

Event (Johnston Kitchens Joinery Shed)

I was fortunate enough to be invited to exhibit in the now-finished Blockwork Art and Design Exhibition. Sally Johnston is the curator of these quarterly pop-up exhibitions, which alternate in theme between Visual Arts and Design & Photography. They are held in several places in Toowoomba, often at the Johnston Kitchens Joinery Shed which is, well, a joinery shed.


Rodney Coutt's furniture
I wondered how it was going to work, and was surprised at how well it did. I think the ties between form and function within many of the works themselves helped give them context within a functional, business-only area such as an industrial shed. I feel it was particularly suited to artists such as Geoffrey Allen, who focuses on building in the small scale and mathematical perfection within his works and Rodney Coutts, who submitted exceptionally beautiful pieces of bush furniture.

Geoffrey Allen's The Thinking House


  



Fairy-ring 1, 2010-2011

The opening was classy, too. I got to talk about art, eat canapes, be stared at, and play my favourite game: Who's Touching My Work?  I think the low setting stopped a lot of people from touching, but, setting Fairy-ring 1 about a foot above the ground perfectly facilitates childrens' access to the work. That's OK though. It's mostly child and animal-proof, they all looked pretty adorable playing with it, and I pretended that they didn't have feral, snotty little hands.




Fairy-ring 1 detail

To a certain extent, I think that the textile works such as Fairy-ring 1 were a discordant note in the exhibition, as the setting of the gallery, an industrial shed, was so very masculine. The saving grace is the use of rugs and quilts outside of the gallery. Their historical functional context prevented them from appearing totally dissimilar. Also, their femininity was then a balance for the smell of wood varnish and sawdust, the drills and half-completed counters.


Artist book by Catherine Rose
View of exhibition and joinery shed.


 That night, I also attended Made Creative Space's Exhibition 3. The event was costumed, and I did not bring my camera. Mistake.



Saturday 19 March 2011

The lovely Chelsie Luck

Chelsie Luck is an artist living in Toowoomba who runs a space called Attic Art Space. She is a pretty awesome painter who focuses on two central characters, Hart and Lash, living in a psuedo-autobiographical world. More can be found on her work here.

Recently, I purchased a My Little Pony unicorn from an op-shop in the Bell St mall, and it was a pretty boss gift for the horse girl who has it all, but, could it be better?

Well, yes it could, with the help of the lovely Chelsie Luck.

 So, here we have the far superior Candyskull Pony. I put the pony in her hands and was not sure of what to expect but whatever it was, turns out it was this.




 


                        

Humine Spongiform, 2010. Wool and hessian backing.

So, I am starting to write about my art in particular and crafts in general. Bear with me as I become accustomed to this.

Above is an image of a work of mine. Currently, my favourite way of making works is by utilising crochet and rugging techniques, although I also enjoy free form crochet and working with paper, paint and clay, as well as making jewelery and sculptures from found objects. I think that I am starting to understand the joys of collaboration, although I have not made many collaborative works. It feels good to be a part of something constructive.